繁体
apoa14080b.c.,thegreateststerof
ed.
language.theanded
language.illore
biographyofssliilythreehundredayfivetenina
librariesndbookstoresaboundthesealingthelargestlivisioninese
upposeonepelledtoreadonlyproseofthistype,
literarylanguagehadetoybeseeninthefollorwuliufive
facts,hereasonersofnovelshadtoresorttotheveacular
eseprose,stillkeptahhthelanguageofhisday,anddaredto
self,in
drunk.afterhegetsdruires,andself.his
aboveall,goodprosestbefaliar,chattyandalittlepersonal,andtheese
tryingtoknoeaning.esapassage,heisso
iiest,andthenarrationthebarest梬hato
essays,
languagestillretainedavirilityuntchedbyanylatererintheal
literaryartnsistedinnpersonalfront.
froacket
exactlyonehundredandtodel:
offlaxclothintatters,andhisricebopty.buthedoesnotcare.he
goodprosebepossible.thetersenessandrefihe
oftenusehielfandindicateshisaitioninlife,andfetsallabout
happyastetabouthisfood.heloves,beingpoor,otalways
thetruefactis,theliterarylanguageirelyunsuitabletodiscussoarrate
suustforevergropeang
givinganiraitofhisloverlihsiang,andthenfindsthathoudidhis
thehat.
fheretheterizationisthevaguest,thefactsarethe
eoverforadrink.healakesuphisndtobe
verylittle.hedoesnotoneyorfa.helikestoreadbooks,hout
iss,ohefeelingofbeinglostiof
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orlessashethought,andtin&prieuxstyleofing.butafterthat
proseedhinese
onehouchaog,
provideit.hisfriendsaiveskisaskhio
inrporateerscholarsas”vulgar,”andhis
...
,e,too,areunkle.heisquietandtalks
sketchesofthreeorfourhundredhebarestbeggarsoutlineoffacts.
liatisdaintyprose,butnotgoodprose,agtoour
ellectual
definition.itisanabsoluteproofthatthelanguagewasdead,
nnerasifheother.oo
thisleadstoareiortantionoftheiialofese