gng.

intoherblackvelvettelesresigning.

ratherthareoreencipatedinthedras.

usedinsokindularbinationinenglishpoetry.thishasbeendoneh

beforeshespoke,shehadreddened,

nooveshersteps,ing,pretty,

likesbeforeazephyrgiddy.

greatsuoredulatedrhythbr>

itisiingtonoteherethatrhythsuoodinesedraticpoetryand

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experintbysoqualifiedenglishpoets.

uedsideyhe

throughitsiensepopularitythetheatrehasachievedaplathenational

alreadyprovidedforatreularlengths,obeyihfthespoken

asanapproxiteexaleofthisirregulartre,igivehereanenglishrendering

inant,

astringofnotessandgolden.

sidelining,

literature,hebeautyofinging,theheroine:

thelineswas

likeacherryripebroken,

folloanner:

eselifeverynearlyr

atitotheexigeheoperaticairs,but

shedhavespoken

tharaightuseofthreesthroughouttheliheideaish

sogracefullyslender,

broaderaabletotheveacularlanguageihe

ofpassagesintheberasterpieceofthefirstorderinese

sohelplesslytender,

likeastatueolten;

herjadehairpindeing,

brooonreing,

oveditribed:

thereisnoreasoaltresofthreesshouldnotbe

hersoftlikeasoutheditty,

ininusic.

liberationoftreachievedinthesungtguinatinginsongsaheseairs,