basesofesenotionsofbeauty.

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

hasbeenexplored.theientpossible,andtheeseters,heoretically

byderivingitsartistinature,espeals梩

andforandithasdoneso

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structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

such,asapartfrotent.apaintinghastonveya,butaten

position,standsiiontopaintingaspuretheticsstandsiionto

hebranflohafehespringing

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

itseetothatand

realisethatthesee.”

...

sotiseveyinslouessularity.thustheartofcalligraphy

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

providesasofaesthetiiationayhe

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

aesthetiisticipleaybe

fotten,andthelinesandforareappreselves.inthis

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

certaintypes,suchastheyularityorofaforevertoppling

therefore,theairedevotiontopurefors

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

sihofthehorse,

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

asthisarthasahistoryofhousandyears,andaseveryertriedto

inanythioftheeseartistid.

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

strusustsolveforhielf.thus,through

fpaintii

distinguishhielfbyaructure,therefore,incalligraphy,if

field,everyvarietyofrhythasbeeeduponaypeofstructure

cultivationandappreciationofpureposition,

fundantalstrokesofing.ifthereisohis,hewill

stfruitfulofresultsoodandapplied.asstated,ese