fundantalstrokesofing.ifthereisohis,hewill

strusustsolveforhielf.thus,through

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certaintypes,suchastheyularityorofaforevertoppling

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

hasbeenexplored.theientpossible,andtheeseters,heoretically

sihofthehorse,

stfruitfulofresultsoodandapplied.asstated,ese

fotten,andthelinesandforareappreselves.inthis

distinguishhielfbyaructure,therefore,incalligraphy,if

inanythioftheeseartistid.

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

such,asapartfrotent.apaintinghastonveya,butaten

providesasofaesthetiiationayhe

asthisarthasahistoryofhousandyears,andaseveryertriedto

andforandithasdoneso

byderivingitsartistinature,espeals梩

hebranflohafehespringing

position,standsiiontopaintingaspuretheticsstandsiionto

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

field,everyvarietyofrhythasbeeeduponaypeofstructure

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

fpaintii

itseetothatand

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

sotiseveyinslouessularity.thustheartofcalligraphy

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

realisethatthesee.”

therefore,theairedevotiontopurefors

basesofesenotionsofbeauty.

aesthetiisticipleaybe

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

...

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

cultivationandappreciationofpureposition,