繁体
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hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective
odeepainting,and
painting,butessentiallydifferentandachievedbydifferentans.itshoain
seeninastudyofesepaintingandarture.inthelinesandpositionof
nner.sohohepicturebeforeushasundergoneaninnerprocessof
esepainting,thefloure,isdistinguishedbyaspiritandan
deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda
artisthasinterferedaterialrealityaedittousonlyasitappearsto
thefullsignifialligraphyasthebasisofeseaestheticswillbe
it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,
givingusonlyapletelysatisfying
spirit.
abletoessquare,inlinesandfortrulyhyofthe
naofanart.
enoofterial,rkedbythenyblankspaces,anideaofposition
ideasofrhythforndatspheregivethedifferentlinesofeseart,like
sandstructuresofesearture,weshallbe
abletheprinesecalligraphy.thesebasic
thepointsofntrastarationeasiertotradhatthe
boldnessandfreedofthebrushpresstheonlookerinanunfettable
ishardtograspandexpress.ithasaosphere,visibleine
poetry,painting,arture,porcelainandhousederations,aialunityof
iii.painting
epoetry.thatdifference
hewillbe
atsphereallitso
transfortioniistsnd,shoofitsirrelevasdisharnies,and
nn.itoachievea