enoofterial,rkedbythenyblankspaces,anideaofposition

hewillbe

nn.itoachievea

epoetry.thatdifference

seeninastudyofesepaintingandarture.inthelinesandpositionof

abletoessquare,inlinesandfortrulyhyofthe

naofanart.

ishardtograspandexpress.ithasaosphere,visibleine

thefullsignifialligraphyasthebasisofeseaestheticswillbe

givingusonlyapletelysatisfying

artisthasinterferedaterialrealityaedittousonlyasitappearsto

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

nner.sohohepicturebeforeushasundergoneaninnerprocessof

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

painting,butessentiallydifferentandachievedbydifferentans.itshoain

spirit.

abletheprinesecalligraphy.thesebasic

atsphereallitso

iii.painting

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

poetry,painting,arture,porcelainandhousederations,aialunityof

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thepointsofntrastarationeasiertotradhatthe

boldnessandfreedofthebrushpresstheonlookerinanunfettable

odeepainting,and

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

sandstructuresofesearture,weshallbe

esepainting,thefloure,isdistinguishedbyaspiritandan

transfortioniistsnd,shoofitsirrelevasdisharnies,and