oneshherefore,ineseinkdraanfiguresand

dehesati”rontid”thespiritoftherecluse.”itisthisquality

offeurecraftsnship.

oneevenobiletongue,dippedininkandligthepaperashedra\vs

itive59or”recluse”qualityisprizedasthehighestqualityofthescholars

reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished

treeohesaprincipleoftingusedineseings.tungchig

ngfuhielf.further,theartistiportantcalligraphic

lishu,andthearript.”oneseesalsointheholloherocksa

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treesthehesealter.forthisisasecretleftusbyghao

leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he

notinteopyreality,butrelytopleaseself”

thisdesireisuandableuholarsspiritwas

forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe

paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe

along,paintingillis,thesreation.

ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso

aybeusedto

andnizesfurtherinthesileunityofdesignofesepaintingsth

ntouroftheterisurical,butispagisanunfivable

fugitivespiriti.doicarehertheyareexactoot,herthe

ybeseeninyiiyujensatterineseingifthe

sendary.therearetodaypaintersakesketcheshtheirbarefingers,and

saidaboutpaintihateverylineshouldtallalong,andhihsaid

sicstrokes.iinglihepine

principle,forproperspagistheveryfirstlaatedbypao

shenpo.ifthespaybesaed,as

hunspirittogetathedru

ngelsewas

restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto

landscapesofthesouthesertaininfluenalligraphy.first,ohe

hollohetreofthestrokes,aheenthe

thisplayingodatsforacertainqualityofesepainting,calledyi.the

said:”anticbrush,

typeofsalledfeipo,any

saidthat”,theyshouldapplythelaherunningscript,the

oflightheartedandinguisheslipospoetry.thisyi