sicstrokes.iinglihepine

fugitivespiriti.doicarehertheyareexactoot,herthe

shenpo.ifthespaybesaed,as

leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he

offeurecraftsnship.

andnizesfurtherinthesileunityofdesignofesepaintingsth

notinteopyreality,butrelytopleaseself”

sendary.therearetodaypaintersakesketcheshtheirbarefingers,and

oneshherefore,ineseinkdraanfiguresand

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forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe

hunspirittogetathedru

ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso

ngfuhielf.further,theartistiportantcalligraphic

lishu,andthearript.”oneseesalsointheholloherocksa

oflightheartedandinguisheslipospoetry.thisyi

oneevenobiletongue,dippedininkandligthepaperashedra\vs

treesthehesealter.forthisisasecretleftusbyghao

aybeusedto

thisplayingodatsforacertainqualityofesepainting,calledyi.the

treeohesaprincipleoftingusedineseings.tungchig

hollohetreofthestrokes,aheenthe

thisdesireisuandableuholarsspiritwas

restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto

ybeseeninyiiyujensatterineseingifthe

along,paintingillis,thesreation.

itive59or”recluse”qualityisprizedasthehighestqualityofthescholars

paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe

saidaboutpaintihateverylineshouldtallalong,andhihsaid

saidthat”,theyshouldapplythelaherunningscript,the

typeofsalledfeipo,any

landscapesofthesouthesertaininfluenalligraphy.first,ohe

dehesati”rontid”thespiritoftherecluse.”itisthisquality

ngelsewas

ntouroftheterisurical,butispagisanunfivable

...

reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished

principle,forproperspagistheveryfirstlaatedbypao

said:”anticbrush,