unterevideheapparentforteristoleratesqueaks

frohesaxophoneandothersounddnessfrohejazzbandany

aniaina,unknoi

ofthepeople.igineapeopleassesknoireetsandatall

lovelyasthetaryis,asandtheodddratigs

thepoor.deeperthananyotherliteraryart,theoperashavegohehearts

inofthedruandgongsandthefalsettolybeuoodinthelightof

abovethegroundiatheopen,orshtacrossathhfare,tobetaken

heardaleaovies.when

esetheatresurroundings.

oddnts,andyouhaveapictureoftherelatiohe

arealfoodof

st,oobe

greatchukoliangireetsofoldpeking.

fropurelyliterarypointofvieatiatypeofpoetry

hsiaotiao}tofindsoofovesre

havebeenheard,asanybodyyverifyforhielf.thegongsanddruwerealso

stagediheatrebuilding,thevoluofhusproducedistrulyterrific,

barkingofdogs.abovesuchadin,onlyathinfalsettokeyedinahighpitchuld

usedasaansofattragattention;theyalheplaysanduldbe

”civilized”odetheatrebuildings.

adaptedtheelvestojazz.theyheylifetogeta”kick”outof

theesetheatreofthebettertypeinayardliketheelizabethare.

hairandcladintatters,singingtheairsofkunggdagthepartofthe

本章已阅读完毕(请击下一章继续阅读!)

instcases,hoph

actorshadtopetehthepeddlerscries,thebarberstuningforks,the

or”operania,”aenseeaniafthelohdishevelled

esegentlensnervesonend.itispossiblyallaquestionofadaptation.butthe

yfireliefthat,

enatingfrohegongsanddruinlitaryplaysandtheequallynerverag

orlessaloaintraditio

dodiatelyaftertheoasioheatrehereforeintheopenandthe

...

butsohoselvestoit,asthearishave

fnvisitorsatesetheatresareoftenstruruciatingnoise

it.tiedand

falsettooflesingers,.this

ltsugarsellerssllgongs,theshoutingofn,enandchildrenandthe