saatsphereandthesafeelingfoature,butirayalofhunfor,

sayingthattheroosrentedfuished,andknotodoha

niyiinligiveusapindesolation,htheuntryastretch

englishandarisocietyuresintheirflatsby

vienneseporeoftheirfriendshavepreseheorchrists,

andthisgeneralrhythalldetailstenandonlythetralinood

ursetherearealsonyeersy

bathinggirlshouldbedetorepreseeer.”todaynyese

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ther”abovetheirntelpiedutelatea

”art,”andtheonesadethen”cr

te,beforeoneleaeventhefirstessentialsofpainting.of

felefigurecalled”ion.”thereisstilltodayalargeproportionof

eastandthefeleforortheindasbeingre

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

theygenerallybanishtheaionbycallihings

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

singularteristifostsingularntrastbethineseand

...

ight,likeyiijen,giveusalandscapeof

theisdesubservienttothe

notthebeautiesoftheirbodiesbutthelihehehis

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

forofnature.ifthereisanyapprealehunforssuch,wesee

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

eetagain

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

arestilluoreheelvestothefaivilizationrequires

gongpilesofksandbrushwood

dofnature.thebestofelandscapes,likerots3giveusthe

ihegeneralistnessoftheatsphere,or,like

nature.heshouldousthebeofthatnionofnature,and

notraalefest,

recreateforusapicture,”surchargedoodsandfeelings,evergingand

anbody,espealebody,seetotobethest

hespiritofthethingsasitisinstilledintohissoul,and

eartisthedifferehesourceofinspiratioselfforthe

lingistsherodenlethetrees,