niyiinligiveusapindesolation,htheuntryastretch

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

eartisthedifferehesourceofinspiratioselfforthe

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

ther”abovetheirntelpiedutelatea

theisdesubservienttothe

anbody,espealebody,seetotobethest

eastandthefeleforortheindasbeingre

ihegeneralistnessoftheatsphere,or,like

bathinggirlshouldbedetorepreseeer.”todaynyese

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

recreateforusapicture,”surchargedoodsandfeelings,evergingand

forofnature.ifthereisanyapprealehunforssuch,wesee

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ight,likeyiijen,giveusalandscapeof

gongpilesofksandbrushwood

felefigurecalled”ion.”thereisstilltodayalargeproportionof

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

”art,”andtheonesadethen”cr

ursetherearealsonyeersy

theygenerallybanishtheaionbycallihings

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

englishandarisocietyuresintheirflatsby

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

notraalefest,

andthisgeneralrhythalldetailstenandonlythetralinood

...

lingistsherodenlethetrees,

nature.heshouldousthebeofthatnionofnature,and

te,beforeoneleaeventhefirstessentialsofpainting.of

singularteristifostsingularntrastbethineseand

dofnature.thebestofelandscapes,likerots3giveusthe

vienneseporeoftheirfriendshavepreseheorchrists,

notthebeautiesoftheirbodiesbutthelihehehis

arestilluoreheelvestothefaivilizationrequires

saatsphereandthesafeelingfoature,butirayalofhunfor,

hespiritofthethingsasitisinstilledintohissoul,and

eetagain

sayingthattheroosrentedfuished,andknotodoha